DAR ES SALAAM: KEY players in Tanzania’s contemporary dance industry have urged the government to invest significantly in establishment of modern arts theatres and dance studios across the country.
The call was emphasised following the Agenda Zetu Debate, organised by the Art for Social and Economic Development (ASEDEVA) at Alliance Française in Dar es Salaam.
The debate brought together three panelists who discussed the current state of contemporary dance in Tanzania, delving into its history and outlining the necessary steps to ensure its continued growth.
Renowned Contemporary Dance Artist, Aloyce Makonde, shared his insights with the ‘Daily News’ after the debate, stressing the importance of government investing in infrastructure. “Contemporary dance cannot be performed just anywhere.
It requires specialised spaces such as theatres and dance studios, but these are scarce in the country. For instance, the National Museum has a theatre, but it is insufficient given the size of our country. We need substantial investment to build more theatres in various regions, where audiences can comfortably enjoy performance,” he noted.
Makonde further emphasised the need for professional dance studios to train dancers in contemporary techniques.
“Tanzania is home to many talented dance artists who simply need the right platform to showcase their potential. Art is not only a cultural expression but also a business and a source of employment. Investing in the arts will create job opportunities for many, especially in contemporary dance, where artists can sell their work and thrive,”he said.
Makonde also called for greater collaboration between key stakeholders in the contemporary dance sector and the government.
“A strong partnership between the Government and the Arts Community is crucial for the industry’s growth and for providing opportunities for more people to engage in this field,” he added.
Makonde cited the Nantea Dance Company as one of the leading groups currently excelling in Tanzania’s contemporary dance scene.
ALSO READ: Simba, Yanga seek redemption
He also shared that he is performing as a solo contemporary dance artist, with his work available on platforms like YouTube for those interested in experiencing his performances. Panelist Dorine Mugisha emphasised the necessity of government support for the arts, particularly in fostering sustainability.
“The government should be the first to show interest in supporting the development of contemporary dance, paving the way for other stakeholders to follow suit. Support can come in various forms, such as providing space for performances and offering funding to help organisers deliver high-quality shows.”
She also suggested that contemporary dance should be included in the national education curriculum, allowing young people to learn the art form from an early age and become competitive in adulthood.
“Tanzania is rich in talent and our artists have the potential to make a significant impact, but they need the right support to nurture their abilities,” she said.
“The key to success lies in government involvement,” she said.
Drawing a comparison between Tanzania and Europe, Mugisha pointed out that while Tanzanian dancers are highly creative, they lack support available to their European counterparts.
“In Europe, artists enjoy strong backing from the government and stakeholders, which helps them to flourish,” she noted.
Panelist Matthieu Nieto discussed the importance of preserving contemporary dance works through archives.
“It’s essential to document performances so that future generations of artists can access and learn from them. The internet and platforms like YouTube offer valuable opportunities for learning and inspiration,” he said.
Nieto encouraged fellow artists to embrace digital tools to expand their knowledge and refine their craft.
“As artists, we should actively seek new ideas and techniques through online platforms, which can play a vital role in enhancing our careers in contemporary dance,” he said.
ASEDEVA CEO Isack Abeneko, who moderated the debate, urged artists to conduct thorough research before launching new projects.
“Research is crucial. You may think you’re creating something new, but it may have already been done. By researching beforehand, you can ensure your work brings something fresh and improve on existing ideas,” Abeneko noted.
Following the debate, the audience was treated to a live performance by The Kilimanjaro Band Njenje, whose soul-stirring songs captivated and moved the attendees.
